Process

Expressions Of An Eternal, Interconnected Field

My artistic process revolves around the themes of wholeness, unity, and the universe in its ideal form. Through symmetry, geometry, and deliberate intention, I infuse each piece with an expression of my personality and vision. Each creation becomes a dialogue between the universal and the personal, where the mandala serves as a medium to convey the energy and unique personality of the individual tree. Together, these elements harmonize to reflect the interconnectedness of life, celebrating the balance and beauty found in both nature and the cosmos.

Inspiration for the mandalas came from an outdoor side table I wanted to build using scrap pieces of cedar posts. Initially, I just wanted to add some visual interest to the table, so I arranged cross-cuts to use as the table surface.

I was captivated by the unique personality and emotion revealed in each slice of the wood.

As a study, I created a few geometric designs to explore the interplay between the end grain and texture of different wood species. I discovered that using the same section of each wood cut for the individual shapes allowed me to create a dynamic sense of rhythm and energy that really expressed the individual wood species.

I make a few cross-cuts to draw inspiration from the tree's end grain.

From the character of the grain and color of the wood, I then create a corresponding design. From there, I create my templated pieces based on the design’s variations.

Radiance View

I scrupulously ensure that the specific shapes in my design correspond to the same cross cut sections of the wood's end grain. This provides a dynamic personality to each completed work.

Despite my meticulous and structured approach, I believe it’s essential to let the wood's unique personality emerge as freely as possible.

Sometimes I finish my artwork with a finely sanded surface, while other times I leave it raw. I let the wood guide me as I create the design, allowing its natural character to shine through.

My favorite step comes after I’ve cut and shaped the pieces—laying them out in their intended configuration. It’s an amazing part of the process to see how the wood and its grain reveal their rhythm and flow, often looking entirely different or more enhanced than I ever imagined.

Not only have I explored the grain and pattern of the mandala, but I’ve also introduced angles, perspective, and depth to add another dimension to the experience. I find the interplay of light on the designs just as captivating as the tactile experience of laying your hands on them.

To know that no two designs will ever be the same brings me a tremendous amount of wonder and joy.

I’m captivated by cymatics and the power of sound and patterns to affect us on the deepest physiological levels. The idea of using magnetism came to me as both a method for applying the pieces and a way to embolden the geometric design I had created. For me, it was about crafting a unified field that fosters harmony and resonates with the viewer.

The tension of energy awaiting to either connect or repel is an intriguing part of the process.

I find it fascinating how applying the magnets can influence the layout. When the design achieves harmony, the magnets seem to naturally gather and hold the pieces together, enhancing the overall cohesion.

As I completed more designs, I realized they needed a proper home. While I’m not a professional frame maker, I do my best to create frames that complement and harmonize with the mandala.

I’ve discovered so many new wood species, each with its own unique characteristics. It’s amazing to observe the variations in texture, density, and aroma - and how these qualities emerge through cutting, sanding, and shaping.

I find my self wanting to get the absolute most out of each piece of wood. Bins of extra cuts are stacked throughout my space, and I have the greatest of intentions to let them have their day!

The process is sacred to me, and I continually find beauty throughout.

One of a series from "extra" pieces. Inspiration from my mother, who has extraordinary skills as a quilter.

Photographing the designs throughout the process never fully captures the energy and beauty they possess. Nonetheless, the hope is that the final design encapsulates it.

The decision to apply a polish, conditioner, or stain to the wood always feels monumental. After hours spent working with the raw wood, you come to appreciate its true color—and, honestly, dread covering it up. Yet, the wood often needs protection from light and decay, so it becomes a necessary step.

I’ve been asked why I don’t use a fabricating machine or cutter to automate the shapes and cuts. An essential part of the process is the rhythm and pace I put into each cut and each sanding. It becomes a part of the energy of the mandala.

The creative process is the journey. And the journey continues to evolve.